Hundreds of people paused to witness a bridge to Virginia Tech’s history during Homecoming weekend.

The Institute for Creativity, Arts, and Technology (ICAT) collaborated with the university’s Communications and Marketing unit to create a projection on Torgersen Bridge that explored Virginia Tech’s past 150 years through images and sound.

“It was nice to see the progression of the university and the change in diversity,” said Del Herr, Virginia Tech sophomore. “In the 1920s, you start to see women come into the projection, more races, and diverse people.”

Images of Virginia Tech's history projected onto a wall in the Cube inside the Moss Arts Center
The projection was also on display inside the Cube in the Moss Arts Center. Photo by Ethan Candelario for Virginia Tech.

The projection spanned across the 140-foot bridge. Displaying a series of vignettes representing important moments from the university’s history created from about 300 images, the 30-minute piece played in a loop after dark on Oct. 14, 15, and 16.

On those same days, the projection also appeared in the Moss Arts Center Cube. With its 128-speaker system, the Cube offered an immersive viewing experience.

The idea of the project stemmed from the book "No Ordinary Moment: Virginia Tech, 150 Years in 150 Images" published by Virginia Tech Publishing within University Libraries, said Ethan Candelario, the Communications and Marketing motion designer who worked on the projection. "No Ordinary Moment" is a collection of 150 pictures that show Virginia Tech’s history from the beginning to modern day. Candelario said he envisioned an adaption of this book to put on the bridge.

“It is one thing to see pictures in a book and to read individual stories. It is another thing to see and hear the history evolve,” Candelario said.

Candelario spent long hours sifting through alumni scrapbooks, Special Collections archives, and the digital resources to come up with enough images to cover 150 years. Although going through the images proved to be his favorite part of the production process, Candelario described the first time he saw his visuals connect with the music as awesome.

The production incorporated Virginia Tech students. Carter Roberts developed audio to accompany the visuals. “I wanted to produce a sense of realism and make people feel like they are there,” said Roberts, a sophomore with a double major in creative technologies in music and the professional technical writing program.

Roberts processed all the audio to properly suit the time period. For example, some songs were altered to sound as if they were playing on an old tape recorder. Viewers may also have noticed sounds such as construction to depict the university’s growth through the years, music styles becoming less acoustic through the years, and the voices of some of the university’s most recognizable faculty.

The Corps of Cadets marches beneath Torgersen Bridge, which features an image projected on it, as part of Homecoming fesitivities.
Photo by Luke Hayes for Virginia Tech.
Images projected onto Torgersen Bridge
Photo by Luke Hayes for Virginia Tech.

Many parts of the project took a significant amount of time. David Franusich, multimedia designer for ICAT, said the actual work started in February, despite earlier discussions.

Candelario spent considerable time working by himself, adding elements he knew viewers would want to see, such as football, the marching band, and downtown scenes. He cut out parts of about 300 individual images in Photoshop then assembled them all together. The 30-minute video took about 36 hours to render from start to finish. “You kind of have to start a render on a Friday afternoon and hope that everything looks good when you come back on Monday,” Candelario said.

In the months leading up to Homecoming weekend, Candelario, Franusich, and a variety of stakeholders – representing the sesquicentennial celebration, Communications and Marketing, and the Advancement division, ICAT, and faculty – reviewed the developing piece. Additions such as the Fralin Biomedical Research Institute at VTC in Roanoke and agricultural projects in Northern Virginia led to an end product that reflected the full scope of the university’s history.

Large-scale projections are beginning to become routine for ICAT. This is the third projection of this scale to occur on Virginia Tech’s campus in the last year. In fall 2021, ICAT kicked off the sesquicentennial year during the Corps of Cadets reunion weekend with a projection on Lane Hall. In the following winter, ICAT worked with the university’s Perspective Gallery for “Experience Black Love: Illuminated,” projected onto Cassell Coliseum. With all this experience, Franusich said everything went smoothly on the technical side of things.

The knowledge of ICAT, paired with long hours and hard work, produced noticeable results. The experience drew all sorts of emotions and memories from the audience, as well as the team working on the project.

“The most incredible thing to come out of this project was last night,” said Roberts during Homecoming weekend. “I was here with my friends, and one of them pulled me aside and said, ‘Hey, I lost someone during April 16, and I think her family would have loved what you did.’ That is just about the best thing I could’ve heard in my life.”For others, the project generated enthusiasm for their alma mater.

“It makes me proud to be a Hokie to see this rich history going all the way from the first student through all the changes over the past 150 years. We are here in 2022 and Virginia Tech is doing awesome things,” said Franusich, also a Virginia Tech alumnus.

The event engaged Virginia Tech alumni, staff, and students in many ways. Carter said when the “Enter Sandman” song began, people started jumping in their groups, proving just how meaningful the Virginia Tech culture is to the community.

“My favorite part was seeing the progression of the HokieBird,” said Emma Lucier, a Virginia Tech sophomore. “The beginning phases of the HokieBird, I had never seen in my life, so it was fascinating to see it grow into the HokieBird we know today.”

The project allowed people to not only reflect on Virginia Tech’s past, but what the future of the university may look like.

“As an institute we are driven by facts and science, but I think things like this project are an awesome way to let the artistic side of the culture permeate into our student body. I think as the world grows and we start to understand more about how people identify themselves, art is probably going to be the biggest carrier,” Roberts said.

Written by Brooke Van Beuren, a sophomore majoring in multimedia journalism in the College of Liberal Arts and Human Sciences

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